Today I'm going to give the worst test of a lensgo lavalier mic.
If you have transmitters that are fairly close to each other while you're at work, that might affect the connection between the mics, let's see if it's affected. So I'll get out of the studio and into the adjoining room with my body blocking the receiver and then a nice wooden wall and we'll keep going through multiple walls as usual now we're going through the kitchen my body or more or less blocked the receiver. Now we're going to slowly get outside and that's usually where things start to go bad because we're going our own way so the bottom line here is the lensgo318C things you should be thinking about for your overall filmmaking kit when I When going through the bottom line, you're going to have to keep asking yourself what you're shooting 90% to 95% of the time, 10% or 5% of the project you might be working on doesn't matter because the lensgo is designed in a way that you're going to be It's not limited between 90 and 95, so you really have to ask yourself, I'm going to go through all the different scenarios, what do you like, why does it matter. But first let's talk about the audio quality, when I first started testing, I heard a little noise, I was confused, because I know the lensgo's mic shouldn't be like this, and later found out that it was my camera's noise, in general this can be done A few small tweaks made the audio sound cleaner. Of course, there is nothing wrong with this microphone, and it is also very suitable as a camera microphone.